"One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and if it were possible,

to speak a few reasonable words." Goethe

Showing posts with label Memory. Show all posts
Showing posts with label Memory. Show all posts

Tuesday, March 28, 2017

The Beauty of Memory

The Old Spring House, watercolor ©A. Rutherford
"Pioneers looked for a spring and built their homes near it. It kept their thirst (and that of their animals) satisfied and their food from spoiling. It was the only refrigeration known for years. Usually a house or building was built over the spring out of rock and a tree was planted near the door. A stone trough was built in the spring house. Through it ran cold, slow flowing spring water. Earthenware crocks of milk were placed, neck deep, in the water. It was always cool in the spring house, even in the warmest of days. A gourd dipper hung in the spring house so men coming in from the hot field could stop for a draft of cold water. The dog quenched his thirst from the overflow at the back of the spring house and a flock of ducks noisily investigated the trickling stream for tidbits. Watercress grew in the shallows.   (Taken from The Good Old Days, The Spring House, R.J. McGinnis, F. & W. Publishing Company, Cincinnati, Ohio, page 76 


In painting this scene with an old spring house this weekend, I was set to reflecting on the old spring house on my grandparents’ farm.  What a comforting place it was for me, but also just a bit mysterious with its cool, shadowy corners and the spring that seemed to flow up out of nowhere.  As a very young child that spring seemed magical to me.
In our fast-paced society, what are the memories that will last?  Which of their experiences are shaping our children into men and women of character, sensitivity, and strength?  
Perhaps one way to ensure that our children will indeed have those life-shaping memories is to take the time to remember what kind of our own past experiences contributed to who we are today.   Or look back at your own parents and grandparents.   What were their lives like?    What were the events that contributed to all the characteristics you value in the people they were and the contributions they made to your own life or the communal life?    What kind of music did they listen to?    What books did they read?    What chores were they responsible for that gave them the work ethic that successful adults need?    How did they spend their leisure time?    What was the balance between leisure or productive activity for them?    What adversities did they face or mountains they had to climb that carved those lines of character that you see in their faces?    What did they love, and how did they love?  
What were the simple joys that nurtured them?    I know in my own family, there was not the incessant need to be entertained or amused.    My memories are of warm family times of story-telling or playing games, gathering around a dinner table filled with home-cooked food, helping out with whatever needed done in the house or outside.    There was time to play, but not to be idle.   Time to explore our environs, but not to waste before the TV.   Time to read or be read to, and the books were ones that inspired our imaginations or connected us to the past or nurtured our character.   And music that delighted and entertained us but that didn’t fill us with angst or wrong-thinking or over-sexualize us.
What are our children experiencing that will feed their souls and will not fade away, but remain a comfort and an inspiration throughout their lives?   What are the memories we are making with them that will stand them in good stead when the rough places in their own lives occur?    What will act for them as reminders that they must take their place in the flow of the river of time and serve with honor and courage?
How will the memories of fast food and ready-made meals linger lovingly in their minds?   What will endless hours spent on the internet or lounging in the malls contribute to their strength of character or their resourcefulness?   Or will all the structured sports activities or “enrichment” activities only contribute to their being driven adults with the incessant need to be “on the go”?
Below is a poem by Seamus Heaney, the Irish poet who received among many, many honors the Nobel Prize for Literature.  Although he was born on a farm to working class people, he became a professor at both Oxford and Harvard.
The material of his poetry was the material of his own life.  Speaking of his early life and education, he commented, "I learned that my local County Derry experience, which I had considered archaic and irrelevant to 'the modern world' was to be trusted. They taught me that trust and helped me to articulate it." 
When Heaney was awarded the Nobel Prize, the Nobel committee described his poetry as "works of lyrical beauty and ethical depth, which exalt everyday miracles and the living past."



From his lecture upon receiving the Prize: 
When I first encountered the name of the city of Stockholm, I little thought that I would ever visit it, never mind end up being welcomed to it as a guest of the Swedish Academy and the Nobel Foundation.  At the time I am thinking of, such an outcome was not just beyond expectation: it was simply beyond conception.  In the nineteen forties, when I was the eldest child of an ever-growing family in rural Co. Derry, we crowded together in the three rooms of a traditional thatched farmstead and lived a kind of den-life which was more or less emotionally and intellectually proofed against the outside world.  It was an intimate, physical, creaturely existence in which the night sounds of the horse in the stable beyond one bedroom wall mingled with the sounds of adult conversation from the kitchen beyond the other.  We took in everything that was going on, of course - rain in the trees, mice on the ceiling, a steam train rumbling along the railway line one field back from the house - but we took it in as if we were in the doze of hibernation.  Ahistorical, pre-sexual, in suspension between the archaic and the modern, we were as susceptible and impressionable as the drinking water that stood in a bucket in our scullery: every time a passing train made the earth shake, the surface of that water used to ripple delicately, concentrically, and in utter silence.
Click HERE to listen to his poem about exploring the wells of his childhood,  "Personal Helicon," Helicon being a river from Greek mythology.
No, how could he have dreamed as a child of the man he would become, but his early experiences molded his character and gave him the stuff of his later life’s work.

Continuity . . . staying connected to the past, carrying those valuable things of the past into the future . . . remembering what made us wise and strong and and loving and then passing it on.  That’s important!
Train up a child in the way he should go,
      And when he is old he will not depart from it.
                                          -Proverbs 22:6 (NKJV)
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Friday, February 3, 2017

A Sign along the Way

Click on photo to study the beautiful light
How does one savor an experience?
If merely held in the mind long enough for attention to be paid to it, asking that question itself will lead to an increased awareness of any given experience.  How?
I believe that between the stimulus and the response is a moment which through practice can be extended and expanded to become a timeless moment, the kind of moment which will give you the time and space to be more fully present to the activity, or object, or person being experienced . . . a opportunity in which to seize the moment and draw it into yourself and make it a part of who you are in a way that no unheeded experience can.
This idea was really brought home to me one evening on a walk when I was passing by a grassy area outside the village where I live. What I saw took my breath with its beauty . . . but because I was pondering this idea of how do we savor, I began to ask myself was it enough to merely see this sight in passing?   Was there a way I could draw this bit of serendipity into me and savor it, and glean something deeper from it that would make it more than a passing impression which I might easily forget in future?  Because that sight had such a special quality on that evening, I didn't want to lose it.  I felt if I paid attention to it that it could become a lasting gift.
So in the interest of savoring it I asked myself, not what did it mean, because at that surface level question I might have drawn a blank. Instead I asked myself, what could it mean, especially in the light of my present circumstances at that time?   Yes, it was a pretty view, but was there something that, if I really listened, it was trying to say to me?
I don't mean to be "airy fairy" about this . . . I just wanted to be truly present to this beautiful experience, one of those that often is so transitory.
And so in quietly taking the time to pay attention to the sight, in savoring it, it began to shape itself into a form I can carry with me along my way . . . a poem.  Please bear in mind that I have never considered myself a poet, so if you're thinking that about yourself, you might surprise yourself one day too and feel the impulse.
A Sign Along the Way 
On the village green, the dying sun
Was spilling golden light
Over the backs of the Canada geese
Who had broken the path of their flight
To pause in this place serene.
How could they know the peace they lent
To a heart that was steeped in sorrow?
A word it seemed had been silently given
That one could still trust that the morrow
Might surprise with a hope yet unseen.
For how they arrrived here,
What knowledge, what grace
Had guided them along their hard journey
To be set down in this favorable place,
Is a lesson the faint heart might glean.
©A. Rutherford 



I consider the accompanying photo above a real blessing too.  I had not taken my camera along with me, and was really regretting that I had not been able to capture the sight of the golden geese that had been so inspirational to me.  But on a "nudge" I began looking through Photobucket's images of Canada geese and literally gasped when I came upon this one which was so close to what I had experienced, with the same aura of mystical peace.
I nearly always take my own photos, but I do want to give credit when I have not taken the photo myself. In this case, the name of the photographer on Photobucket was given, which is not often the case, so much appreciation to Chris Nash, although in all likelihood he will never see this post.
Postscript   I must say, however, that whenever I have read this poem to myself since that evening, all this explanation fades away, and the physical walls of my room fade away, and I am again in that timeless space on the green with the grazing geese, and my heart lifts.  That’s the benefit of making a beautiful memory to be stored away and savored again and again.


Phil. 4:8  ". . . whatever is lovely . . . think about such things." 


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